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   Saint Basil's Cathedral

 

The Cathedral of Intercession of Theotokos on the Moat (Russian: Собор Покрова пресвятой Богородицы, что на Рву), popularly known as Saint Basil's Cathedral (Russian: Собор Василия Блаженного), is a Russian Orthodox cathedral erected on the Red Square in Moscow in 1555–1561. Built on the order of Ivan IV of Russia to commemorate the capture of Kazan and Astrakhan, it marks the geometric center of the city and the hub of its growth since the 14th century. It was the tallest building of Moscow until the completion of the Ivan the Great Bell Tower in 1600.

 

                                          

 

The cathedral acquired its present-day vivid colors in several stages from 1680s to 1848. Russians' attitude to color in the 17th century changed in favor of bright colors; icon and mural art experienced an explosive growth in number of available paints, dyes and their combinations. The original color scheme, missing these innovations, was far less challenging. It followed the depiction of Heavenly City in the Book of Revelation:

 

 

 

The original building, known as "Trinity Church" and later "Trinity Cathedral", contained eight side churches arranged around the ninth, central church of Intercession; the tenth church was erected in 1588 over the grave of venerated local Fool Vasily (Basil). In the 16th and the 17th centuries the cathedral, perceived as the earthly symbol of the Heavenly City, was popularly known as the "Jerusalem" and served as an allegory of the Jerusalem Temple in the annual Palm Sunday parade attended by the Patriarch of Moscow and the tsar.

 

 

 

The building's design, shaped as a flame of a bonfire rising into the sky, has no analogues in Russian architecture: "It is like no other Russian building. Nothing similar can be found in the entire millennium of Byzantine tradition from the fifth to fifteenth century... a strangeness that astonishes by its unexpectedness, complexity and dazzling interleaving of the manifold details of its design." The cathedral foreshadowed the climax of Russian national architecture in the 17th century but has never been reproduced directly.

 

                     

       Jim on Red square in front of the cathedral